Monday, December 20, 2004

THE JAMES OSSUARY STORY is profiled by 60 Minutes in an article called "Holy Fake?" based on a program shown last night, which I haven't seen. (I guess they have good reason nowadays to take an interest in forgery detection. Better late than never.) There's little if anything new in it as far as I can see (I'm not sure I've heard the accusations in the last paragraph before this), but it's not a bad summary of the history and state of play. It concludes:
Does he think the ossuary is real or fake? "I would say it's probably real," says [Ben] Witherington.

But the Antiquities Authority continues to insist it's a fake. And not only that. They claim Golan has been making forgeries and millions of dollars for the last 15 years. And they say the real casualty here is knowledge itself, our passion to dig down to the real foundations of our history, and our faith.

"It seems to me that there's really two possibilities when you're dealing with the James ossuary and other recent discoveries," says [Bob] Simon. "Either they're real or you've got a group of very talented forgers."

"There've been good forgers for hundreds of years," says [Neil] Silberman. "But a 16-year-old with a basic graphics program can take absolutely documented inscriptions, and rearrange the letters, and reproduce them and it makes it very much harder just to see the difference between something new and something genuine."

"So both sides are getting better. The forgers are getting better, as is science in discovering forgeries is getting better," says Simon.

"Well, that's what we call progress in archaeology, I guess," says [Neil] Silberman.

The latest twist: Oded Golan reportedly tried to sell fakes to major museums in London, Paris and New York, and he may have succeeded. The Israeli police say they plan to indict Golan on multiple charges of forgery and fraud in the next few months.

On the one hand, at least a few scholars like Witherington still seem to think that the James Ossuary inscription is probably fully genuine. On the other, the case that the IAA makes for it being partially faked seems overwhelming: (1) the fake patina and (2) the forgery lab, complete with forgeries in progress, in Golan's house. If Witherington and those like-minded want to defend the authenticity of the full inscription, those are the big charges they need to refute. I've not put the work into the inscription to form a strong opinion about it, but I am pretty skeptical. As I keep saying, I hope this comes to trial and, if so, I will be watching closely.

Two other comments. First, this passage is odd:
But 60 Minutes knows where it [the ossuary] turned up: in the Tel Aviv apartment of Oded Golan, an Israeli entrepreneur, amateur pianist and one of the world's biggest collectors of biblical antiquities.

Help me out here. Wouldn't someone who didn't know the story read this and then think that 60 Minutes was breaking the whole Golan connection right there? Golan's role as the dealer involved has been known for a long time. Maybe I'm being too picky here, but the phrasing seems kind of misleading to me. Surely the program was clearer about this?

Second, there's this passage:
The ossuary was returned to Golan. But then, just two months after it had been exhibited in Toronto, there was another extraordinary revelation.

A tablet was secretly offered to Israel's National Museum, with a reported price tag of $4 million. Why so much? It was billed as the only remnant of the Temple of King Solomon, a godsend for religious Jews, because it would strengthen their claim to the Temple Mount, which has been contested for centuries by Jews and Muslims.

First the ossuary, and then the tablet, both revealed in the space of two months? It was an amazing coincidence, but the amazing coincidences don't stop there.

Amir Ganor, head of the Antiquities Authority Detective Unit, was put on the tablet's trail and all leads pointed to the apartment of Golan. They confiscated the tablet and decided to take the ossuary as well. But when Golan led them to it, the detectives could barely believe their eyes.

The rest of the article never gets around to mentioning that this tablet, the so-called Joash Inscription, was shown to be a forgery too, by multiple converging lines of evidence, including its patina. Simon does refer to doubtful "other recent discoveries" but doesn't say the tablet is among them. I think that's rather careless. Again, I hope the program itself made all this clear.

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